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A hub of global trade
Cargo ships and service boats populate the dawn waters near the Port of Singapore. Refueling vessels and boats used for transshipment purposes are essential at this narrow port.
For how large the place is, the Port of Singapore has very few workers. Most jobs are automated.
Containers are stacked high on this cargo ship, which has sunk to its load line.
Giant cranes do all the superheavy lifting.
Close to shore, a young man catches some air while skimboarding.
When its lease expires in 2027, the Tanjong Pagar Port Terminal will have quite a moving job on its hands.
Thailand's King Bhumibol Adulyadej, the world's longest-serving head of state, died at Bangkok's Siriraj Hospital on Oct. 13 after a prolonged illness. During his 70-year reign, King Bhumibol, the ninth king in the Chakri dynasty, served as a stabilizing force for the country. Nikkei staff photographer Nozomu Ogawa documented the nation's mourning.
India's economy is growing up under Prime Minister Narendra Modi. Nikkei senior staff writer Go Yamada in December visited Mumbai and Delhi, where he found Modinomics to be a crowd of new faces mixing with the old.
Pope Francis visited the Philippines between Jan. 15 and 19 as part of his recent tour of Asia. KEIICHIRO ASAHARA, Nikkei staff photographer followed his procession through Manila.
KEN KOBAYASHI, Nikkei staff photographer
Rohingya fleeing Myanmar endure almost unimaginable horrors to reach a new country, but their suffering does not end once their journey does. Many refugees have survived harrowing ordeals in Thailand's jungles and are now living in shelters in the country's southern provinces or facing the prospect of deportation by immigration authorities.
Pakistan’s economy, long plagued by terrorist attacks, political chaos and even natural disasters, is finally starting to catch a break.
Nikkei senior staff writer GO YAMADA went there to take a closer look at the turnaround. Find related stories in the Sept. 21-27, 2015, issue of the Nikkei Asian Review.
Nikkei staff photographer Keiichiro Asahara in early November focused his lenses on the people and streets of a country, Myanmar, as it was stepping up to democracy's door.