Japanese digital art exhibition explores AI risks in Shenzhen

Rhizomatiks' first solo China show pushes boundaries between real and virtual

90528196_20231209151825_205720_669088440_WEI0969.jpg

"Rhizomatiks Mutliplex_2023," a digital art show by Rhizomatiks in Shenzhen, China, invites visitors to examine the relationship between humans and technology. (Photo courtesy of Design Society)

ALICE FRENCH and CK TAN, Nikkei staff writers

TOKYO/SHENZHEN -- Artist and engineer Daito Manabe has made a living out of manipulating technology for human enjoyment. A puppeteer of lighting, sound and robotics, his futuristic optical illusions have been featured in shows across the world, from Tokyo to Rio de Janeiro.

Manabe founded Rhizomatiks, a Japanese media art collective that has won multiple awards, in 2006 to explore the boundaries between technology and art. But almost 20 years on, he fears those boundaries are becoming too difficult to distinguish, and that his days as puppet master could be numbered.

Sponsored Content

About Sponsored ContentThis content was commissioned by Nikkei's Global Business Bureau.