MACAO -- Ryusuke Hamaguchi's rise has been among the most remarkable stories to emerge in global cinema over the past decade, as the Japanese director has transformed himself from a maker of domestic documentaries to an Oscar-winning auteur.
In this age of Hollywood blockbuster domination, much of the fanfare has been about how in the Academy Award-winning "Drive My Car" (2021) and the latest "Evil Does Not Exist" (2023), the filmmaker relies on the simple art of conversation to drive the unique brand of nuanced, slow-burn drama that has enthralled critics and captivated global audiences.






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