ArrowArtboardCreated with Sketch.Title ChevronCrossEye IconIcon FacebookIcon LinkedinShapeCreated with Sketch.Icon Mail ContactPath LayerIcon MailMenu BurgerPositive ArrowIcon PrintIcon SearchSite TitleTitle ChevronIcon Twitter
Business Trends

Japanese Oscar winner did 'what others won't'

Following his own path brought makeup artist Tsuji to the top of his field

Kazuhiro Tsuji, from left, Lucy Sibbick, and David Malinowski, winners of the award for best makeup and hairstyling for "Darkest Hour," pose in the press room at the Oscars on March 4.   © Getty Images

The Japanese makeup artist who won this year's Oscar for best makeup and hairstyling had left Hollywood before "Darkest Hour," the film that earned him fame, began shooting.

It was Gary Oldman, who was to portray Winston Churchill in the movie, who asked Kazuhiro Tsuji to return.

"I wanted to do something that other people can't," Tsuji told Nikkei in January, when the U.S.-based makeup artist was briefly visiting his home country of Japan.

Asked how he was able to achieve success in the U.S., he said, "I have always kept this in mind and worked harder than others to achieve something no one else but I could do."

The Star Wars movies first attracted the Kyoto-born artist to filmmaking. Later, while he was in high school, he came across an article in a foreign magazine about special-effects makeup. The article explained the technique of U.S. makeup master Dick Smith for creating the look of Abraham Lincoln for a TV series.

At the time, the boy who hated to do the same as other people was casting about for a path in life. "'This is it,' I told myself," Tsuji recalled.

Japanese makeup artist Kazuhiro Tsuji works on turning actor Gary Oldman into Winston Churchill for the film "Darkest Hour."   © Kyodo

He applied the special makeup to himself, mimicking the technique in the article. He took photos and sent them to Smith in the U.S., enclosing a letter written with the help of his English teacher. Smith eventually replied with some advice.

After graduating from high school, Tsuji worked on the 1989 horror film "Sweet Home" by director Kiyoshi Kurosawa, at Smith's suggestion.

After working on that film, Tsuji's desire grew to break into Hollywood, where far larger amounts of money and time are spent on making films. This prompted him to travel to the U.S. in 1996. There he entered the studio of the legendary special effects makeup artist Rick Baker.

Tsuji, whose motto is to improve until he's satisfied, would work with Baker until midnight, after everyone else had gone home.

Gary Oldman as Winston Churchill in the film "Darkest Hour."   © Kyodo

He described the art of special effects makeup as "having no formula" -- it offers the freedom to change methods by incorporating other existing technologies.

Tsuji added that because "progress in digital technologies improves the camera performance," makeup technologies "must be constantly revamped."

He won a British Academy Film Award for his work with director Ron Howard on the 2000 film "How the Grinch Stole Christmas," and received Oscar nominations in 2007 and 2008.

In 2012, he began dedicating himself to fine art sculpture. Then Oldman beckoned, and Tsuji went to work using special effects makeup to transform Oldman into the British former prime minister.

It was a chance for Tsuji to chase his dream -- creating makeup that looked realistic.

"Your path becomes clear if you set your mind seriously and head in the right direction," Tsuji said.

You have {{numberReadArticles}} FREE ARTICLE{{numberReadArticles-plural}} left this month

Subscribe to get unlimited access to all articles.

Get unlimited access
NAR site on phone, device, tablet

{{sentenceStarter}} {{numberReadArticles}} free article{{numberReadArticles-plural}} this month

Stay ahead with our exclusives on Asia; the most dynamic market in the world.

Benefit from in-depth journalism from trusted experts within Asia itself.

Try 3 months for $9

Offer ends September 30th

Your trial period has expired

You need a subscription to...

See all offers and subscribe

Your full access to the Nikkei Asian Review has expired

You need a subscription to:

See all offers
NAR on print phone, device, and tablet media