I could not help but feel uneasy.
Since my debut in Paris in 1981, I had been hated as the "yellow peril," but all of a sudden I was held up as a "master," and then, to top it all off, I was hailed as the "savior of the Paris mode."
Avant-garde samurai takes on music and conducts anti-mode experiments
I could not help but feel uneasy.
Since my debut in Paris in 1981, I had been hated as the "yellow peril," but all of a sudden I was held up as a "master," and then, to top it all off, I was hailed as the "savior of the Paris mode."
Nikkei Asian Review, now known as Nikkei Asia, will be the voice of the Asian Century.